Desmond specified in his will that all proceeds from "Take Five" would go to the Red Cross following his death. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet. Desmond died on May 30, 1977, not of his heavy alcohol habit but of lung cancer, the result of his longtime heavy smoking. The two continued to play at the club to jam-packed audiences. Our editors will review what youve submitted and determine whether to revise the article. One of Desmonds legendary performances was in collaboration with The Modern Jazz Quartet for a Christmas concert in 1971. Title: Take Five: The Public and Private Lives of Paul Desmond Author: Doug Ramsey, Foreword by Dave and Iola BrubeckPublished: February 2005, Parkside Publications, Inc.Extensive biography of jazz saxophonist Paul Desmond, one of the major jazz figures of all time, written by noted jazz critic Doug Ramsey. Take Five : The Public and Private Lives of Paul Desmond - Google Books One of the greats, Charlie Parker, named him as his favourite alto player. The first Time Series album, Time Out, was released in 1959 and it was the first ever jazz album to sell over a million copies. Desmond was born Paul Emil Breitenfeld in San Francisco, California, in 1924, the son of Shirley (ne King) and Emil Aron Breitenfeld. For the critics it was a strange musical relationship. Colin Skinner: In Praise of British Big Bands, The Scintillating Enigma of Una Mae Carlisle, Integration in the Recording Studio: Eddie Condons Story, Peggy Haine & The Lowdown Alligator Jass Band to Play Again, James Reese Europe and the Clef Club Orchestra at Carnegie Hall. [1] In 1950 Desmond joined the band of Jack Fina and toured with Fina for several months, but he returned to California after hearing Brubeck's trio on the radio and deciding that he should repair his relationship with Brubeck and attempt to join Brubeck's increasingly successful band. One of the things I thought about after Paul died was that it was really a shame because he would have been a really great old man. A master of the alto saxophone as well as a consummate composer and musician, Desmond was a pivotal figure on the West Coast cool jazz scene. Desmond began sitting in with the trio and with Brubecks experimental octet at Mills. It became the theme for the Quartet, de rigueur at all their concert appearances, and it made Desmond a small fortune in royalties.
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