Scott: What inspired the new Social Distancing video remake of What is Hip?. Emilios father was a bartender in nightclubs that had showbands so he was an afficionado. Mark and I were on the same page from the very beginning, and when we talked about doing the album together, I told him Id need a rhythm section, live horns, and that everything was to be done authentically and organically. They did a great job! Im grateful that I came from an integrated high school where they used to sing Daddys Home in the stairwell a cappella. The next week, they were all playing into a mic and they kicked our ass! As the investigation into this mysterious disappearance deepens, the characters discover startling secrets about their own lives along the way. The APU is also used to recharge the batteries on board jet ski boats and other small watercraft. He and (bassist) Paul Jackson were already playing together. Soul Side Of Town is out now:https://mackavenue.lnk.to/nyzNu Even before I started touring with Tower, I had my own little studio setup and have always been writing and compiling songs. I heard the band (then The Motowns) and told him they were pretty good but could use some bottom in the horns. Their greatest trick perhaps has been to be one of the longest-running and highly influential bands inspiring musicians from the UKs Incognito to the U.S. Snarky Puppy though the majority of the band is not African American. Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. Thats when I met Emilio on a 4th of July weekend in `68. For record producers, #1 would be Thom Bell from Philadelphia, Steve Cropper out of Memphis, and of course all the Motown writers, James Brown, of course, Dyke & The Blazers, and one of my favorites of all-time: Curtis Mayfield. I remember Tower of Power had a trip to New York City to play the Fillmore East. You know the jam band Lettuce? Mark played a huge role in choosing the musicians. After one months work. These three words exemplify the sound of Memphis Soul Man Marcus Scott. In the chat below, he discusses the broad range of styles that inform his playing, leaving and returning to the band four times, his relationship with former T.O.P. People called him Butch and French Fry. When we found out that his real name is Francis Rocco Prestia, Rick Stevens was still in the band and was the one that started calling him Rocco. Hes one of my best friends in the entire world.
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