[86], Thanks to the efforts of film history devotes, especially Ren Clair, Jean George Auriol, and Paul Gilson, Mlis and his work were rediscovered in the late 1920s. It is considered one of the worlds first blockbusters, and was pirated by American film distributors such as Thomas Edison. "[78], It remains Mlis's most famous film as well as a classic example of early cinema, with the image of the capsule stuck in the Man in the Moon's eye particularly well known. [42] In addition to its technical practicality, this technique also allowed Mlis to control the placement of the face within the frame to a much greater degree of specificity than moving his camera allowed. The professor and five of his astronomer friends take a trip to the moon via a space vehicle they build in their laboratory. And if the 15-minute score wasnt enough, AIr put out a whole new album based on the gig (titled Le Voyage Dans la Lune), which is twice as long as the main composition and plays like an extended soundtrack to the short. [39] Other effects were created using theatrical means, such as stage machinery and pyrotechnics. The film also features transitional dissolves. Read more of her work here or follow her on Twitter @kaytiburt. took over when it hit America. What camera did George Melies use? WebAlthough A Trip to the Moon was the first motion picture to depict a lunar voyage, Mlis had little interest in the actual mechanics of space travel. [74] It can also be described simply as a trick film, a catch-all term for the popular early film genre of innovative, special effects-filled shortsa genre Mlis himself had codified and popularised in his earlier works. Now, after a 12 year project that approached a half-million euros in cost, Lobster Films, The Technicolor Foundation for Cinema Heritage, and Fondation Groupama Gan pour le Cinma are unveiling a new version of A Trip to the Moon, resurrected, in the words of preservationist Tom Burton, from an original, hand-colored nitrate print. The film's total length is about 260 metres (roughly 845 feet) of film, The stationary position of the camera, which became known as one of Mlis's characteristic trademarks, was one of the most important elements of the style.
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